Quiet Visitor wrote:missouriman wrote:I also put my order in for the deluxe version instantly so if it's numbered I'd appreciate one of the 1000. Got an email from the distribution company today however saying they are waiting for the second batch so kind of pissed off right now.
I can't find any sign of a numbering on the deluxe version (except of course for the page-numbers, the catalogue-number and the running time (64:20)).
Quiet Visitor wrote:This is really a headphone-album, because the ambient composition contains a lot of subtle details and stereo-effects. There's not much melody though, so you must go with the flow of the ambience.
baht habit wrote:To hear that voice treading all over the beauty of Tilbury's piano is quite disconcerting. Could we possibly petition for a purely instrumental mix?
javier wrote:I would only listen to the piece a few times, although I would very much enjoy doing so.
But instrumental music generally invites one to listen many more times. One can bathe in the vibe, so to speak. And similarly with song-based music, one can feel a part of it, like being with a familiar friend. There's the added pleasure that one can hum or even sing along too. But I cannot ever imagine myself speaking Wright's words along with him as I listen.
Blemished wrote:'When we return...', which I love.
baht habit wrote:I recommend giving a bit more time to '...with no other house in sight' and I think you'll get a lot out of it - just as you have with 'When We Return....'
missouriman wrote:If you can make it to around 21minutes in when Wright recites "Dead Seagull" you will be rewarded at around 24minutes with one of those blissful sound washes that you find from time to time in David's work.
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