Tin Bird wrote:No, it's all good...no problem....
Indeed

I absolutely agree about horrible mastering, which has ruined many a good album. My belief was it (the loudness wars) came about from a desire to stand-out in volume terms, for some sort of competitive edge, rather than anything to do with MP3/iPod/Phone which it actually pre-dates; being louder and more aggressive was seen as a good thing, and with CD's you could push levels far higher than vinyl. Most of the mass produced music for todays 'pop' end of the market, and mostly listened to by teens on iPhones is still crushed to within an inch of its life, and I think they actually like it that way, or don't care (from talking to my teenage niece and her friends) ...but its seems artists with some sensitivity are now wise to wider (and more mature) opinion and are preserving the dynamic range and sound quality more.
I have bought a few FLAC's but don't like them for the same reason as you, seeming impersonal... even if you get all the artwork included its not the same looking at, and reading it on a monitor, or having to print it out. Buying files does not seem real somehow... plus, on my gear at least I can't hear any difference over CD when streaming it from my PC.
I think if I had the cash I could easily turn into a bit of an audiophile too... though steering away from the crackpot, bonkers end of the market [exotic cables and special stones to place in the room etc, etc...] My worry is I would only end up listening with a critical ear to the sound quality, rather than the music itself

EDIT... To add this

A small (US) sample, but if in any way representative, we are buggered

