Hello All!
I will PM you Natasha with details of the William Blake controversy. I studied his works at university, so I'll have to be careful not to start banging on about visual theories and the like! (A little education can be a dangerous thing)! BTW I HAVE seen Liliana Cavani's 1974 film:
The Night Porter, several times actually as it was one of my favourite films and I had the video. I never knew til now that it was DS' fave film ever - thats cool.
Night Porter is the story of dark, obsessive love, the multiple complexities of human nature, and the nature of "evil" itself. Its about an ex-Nazi officer, Max (Dirk Bogarde) who is working as a night porter in a rather drab hotel in 1957 Vienna
(hints of Ultravox anyone?). He is never seen during the day, he only 'lives' at night. One evening, a rich married lady from America, Lucia (Charlotte Rampling) checks into the hotel. Max recognises her immediately as the woman he seduced in a concentration camp. She recognises him too. There is a wonderful scene where both Max and Lucia are at the opera, but not together, he is stalking her - or is he? She senses his presence behind her, and turns to see ... no-one. The seat is empty! Fatefully or fatally, they rekindle their sado-masochistic love affiair. Their are scenes of open wounds being licked, decapitation, flagellation and so forth (the story is told in flashbacks to the concentration camp). Max's former SS colleagues begin to stalk them and there is a growing sense of terror and oppression. Max is unconcerned that his decadent behaviour with his lover will result in not only his exposure as a war criminal but his 'friends' risk prosecution too. There's a scene at the end of the film where Max is confronted by his fellow Nazis who are all still in hiding, trying to fit in with society, pretending they had never been Nazis. Max is unrepentant about his behaviour, past or present saying: "I'm very proud of what I did for my country and if I was asked to do it again, I would".
Needless to say the film was not well received at the time. It was seen as merely a gross advert for sado-masochism or at best a tedious arthouse bore. It was banned in Germany and Italy. However, if it were released today, I doubt much fuss would be made. It is most definitely NOT a pornographic film, however, it isn't easy to watch.
I hope I haven't offended anyone by posting this synopsis? Apologies in advance if I have - that wasn't my intention. 