Almost every fan of DS I've ever met (aside from those that lost touch post Brilliant Trees) regard SOTB as his masterpiece. I remember talking to one guy who had, like me, just seen the Blemish concert in 2003 and was literally
raging that DS wasn't still producing material like that.
I have to admit that while I like it very much it's not really my favourite and I don't quite get how much everyone else loves it so

. It's probably his most
complete album - no weak tracks, a consistent sonic vision, beautifully played and arranged... September, Mother & Child, Let the Happiness In are definitely amongst my DS faves.
But it does leave me a bit cold.
Six One Cynic mentioned it being very personal, but in some ways it was his first de-personalised "story-telling" album. I never really liked The Boy With The Gun for that reason. Sometimes too it verges on MOR - I find it hard to love Orpheus for that reason. Compared with the spiritual delirium of the second half of Brilliant Trees or the mystical anguish of Gone to Earth it seems to lack something. I also miss the sonic invention that has always been a mainstay of David's work.
Ok, I've admitted it! Gulp...