by Foales Arishes on Mon May 03, 2010 1:18 pm
Yeah, they are poles apart really, both stylistically and in terms of vocal sound, though there are times when the jazz influence comes across in both artists work, though in different ways. The Mark Hollis solo and Manafon do share a sparseness but they are chalk and cheese otherwise…
Sylvain's work is always far tighter, with a more closely constructed feel, despite the freeform element brought to the table by his collaborators, Hollis's solo was scored, but all later Talk Talk material was built from hours of improvisation, and is very loose... so there are commonalities in them that clearly draws people to both, also [maybe] both artists reticence and seriousness has a common appeal, both started as pop stars but quickly became very different beasts, so they do share that too.
I personally like artists that are serious about their work, and make stuff that’s removed from the time it’s created in, taking chances and being defiantly different – listen to ‘Colour of Spring’ and ‘Spirit of Eden’ and it’s hard to imagine these albums were created in the 80’s. ‘Blemish’ and ‘Manafon’ are equally out of their time and unique.